Christine Sun Kim's Whitney Museum Exhibition
Christine Sun Kim's mid-career survey, "All Day All Night," at the Whitney Museum of American Art, offers an in-depth exploration of the intersections of sound, language, and communication.
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Traversing Terrains: Arc One's Thoughtful Presence at MAF25
Arc One Gallery presented Janet Laurence's ecological works, Marina Rolfe's perceptual paintings, and John Young's historical explorations. This curation showcased Arc One's dedication to rich Australian contemporary art, reflecting on environment, perception, and cultural narratives.
Marfa, Texas: An Unexpected Art School
In Marfa, Texas, art transcends traditional spaces. This essay explores its unexpected role as an art school, where Donald Judd's legacy and the stark landscape teach context, accessibility, engagement, and mystery.
Paul Yore: Confronting taboos through queer maximalism
Paul Yore creates provocative textile art that combines traditional craft techniques with contemporary cultural critique. Represented by STATION gallery, his maximalist works challenge Australian identity, consumer culture, and sexual politics through meticulous craftsmanship and bold imagery.
Kirstie Rea: In the Company of Nature.
Kirstie Rea’s In the Company of Nature at Melbourne Art Fair 2025 explores the Australian landscape through kiln-formed glass sculptures. Her artworks capture nature’s fluidity and subtle beauty, inviting reflection on humanity’s connection with the environment through delicate forms and textures.
Vermilion Art: A Focus on Contemporary Chinese Voices
Vermilion Art, Sydney's Chinese contemporary art pioneer, showcased Chen Wenling's satirical sculptures and Gao Ping's fusion of Eastern/Western styles at Melbourne Art Fair 2025.
Neon Parc at Melbourne Art Fair 2025: A Dialogue with Modernity
Neon Parc's Melbourne Art Fair 2025 stand featured Damiano Bertoli, Diena Georgetti, and Janet Burchill/Jennifer McCamley, showcasing their engagement with Modernism, abstraction, and the concept of time.
Hannah Gartside: Bunnies in Love, Lust, and Longing
Australian artist Hannah Gartside’s exhibition Bunnies in Love, Lust & Longing at MAF 2025 transforms vintage leather gloves into sculptures exploring intimacy, desire, and vulnerability. Her textile practice thoughtfully invites reflection on identity, memory, and repurposed materials.
Hugo Michell Gallery MAF 2025
At the 2025 Melbourne Art Fair, Hugo Michell Gallery, under Jenna Pippett's direction, showcased artists Sam Gold and Zaachariaha Fielding. Gold, a queer non-binary artist, uses ceramics to explore the body and identity. Fielding, of Mimili, blends Aboriginal traditions with contemporary themes.
Meg Cowell: 2014
Meg Cowell is a Melbourne-based photographic artist known for her ethereal images of submerged garments. Her work explores femininity, transformation, and the interplay of light and water, where she creates dreamlike, sculptural forms that evoke a sense of otherworldliness.
Negotiating This World: Contemporary Australian Art: 2012 REDUX
"Negotiating This World," curated by Jane Devery at NGV (2012), surveyed contemporary Australian art through 100 works by 40 artists. The exhibition explored globalization, identity, and technology, emphasizing Indigenous perspectives and Australia's position in the Asia-Pacific region.
Andrew Browne: 2012 REDUX
Andrew Browne continues to expand and refine his visual investigations, maintaining his position as an artist who bridges multiple domains – between photography and painting, observation and imagination, the specific and the universal – with remarkable sensitivity and skill.
Deconstructing Hopewell: Chaos, Order, and the Human Form
A dynamic painting practice, influenced by his time in New York City, capturing movement and energy through layered compositions. He builds up surfaces with acrylic and resin, creating a palimpsest of visual information that reflects the passage of time and the accumulation of experiences.
Sam Gold: Reshaping Australian Ceramics
Sam Gold creates sculptural ceramic vessels that challenge traditions through experimental techniques and textured surfaces. Based in Adelaide and represented by Hugo Michell Gallery, Gold's ecological practice was recently showcased at Melbourne Art Fair.
Brisbane Arts Precinct Prepares for Cyclone Alfred
As Cyclone Alfred approaches, Brisbane’s arts institutions are enacting flood plans refined since past disasters. Their response highlights the need for cultural venues to prepare for more frequent and severe weather events.
Arthouse Gallery
Ali Yeldham’s Arthouse Gallery showcased Robyn Sweaney’s architectural paintings and Kendal Murray’s whimsical tableau miniatures at the Melbourne Art Fair 2025, thoughtfully highlighting rich and diverse artistic narratives in Australian contemporary visual art.