Tommy Emmanuel at 70
Tommy is at the top of his game and Maton Guitars' spiritual son is showing no signs of slowing down. Indisputably one of the world's greatest musicians, Tommy is also one of the nicest humans you'll ever meet.
Tommy is at the top of his game and Maton Guitars' spiritual son is showing no signs of slowing down. Indisputably one of the world's greatest musicians, Tommy is also one of the nicest humans you'll ever meet.
Monash University reinstates Khaled Sabsabi’s exhibition, Stolon Press: Flat Earth, celebrating artistic freedom. Featuring calligraphy with Lebanese coffee, the show reflects Sabsabi’s experiences during Lebanon's civil war, amidst broader political dialogues.
As Australia’s 2025 election nears, Labor’s arts commitment appears sincere but limited, the Coalition’s engagement minimal, and the Greens propose deep reforms.
Sabbia Gallery showcased Pippin Drysdale’s Remembered Landscapes at Melbourne Art Fair 2025, presenting porcelain works that captured the spirit, memory, and beauty of Australia’s landscapes through masterful form and colour.
At Melbourne Art Fair 2025, Fox Jensen Galleries showcased bold explorations in abstraction by Jan Albers, Koen Delaere, Elisabeth Vary, and Aida Tomescu, blending sculpture and painting into a dynamic, tactile dialogue on colour, form, and emotional intensity.
Anticipating Tate Modern's 2026 Joan Mitchell retrospective: Explore the Abstract Expressionist's unique path. Her vibrant canvases convey fierce energy, raw emotion, and connection to nature, born from lived experience. A monumental legacy awaits rediscovery.
Generative AI is transforming contemporary art, with pioneers like Mario Klingemann and Refik Anadol using algorithms to create immersive, thought-provoking works. These practices challenge traditional ideas of authorship, creativity, and the role of technology in art.
Christine Sun Kim's mid-career survey, "All Day All Night," at the Whitney Museum of American Art, offers an in-depth exploration of the intersections of sound, language, and communication.
Arc One Gallery presented Janet Laurence's ecological works, Marina Rolfe's perceptual paintings, and John Young's historical explorations. This curation showcased Arc One's dedication to rich Australian contemporary art, reflecting on environment, perception, and cultural narratives.
In Marfa, Texas, art transcends traditional spaces. This essay explores its unexpected role as an art school, where Donald Judd's legacy and the stark landscape teach context, accessibility, engagement, and mystery.
Paul Yore creates provocative textile art that combines traditional craft techniques with contemporary cultural critique. Represented by STATION gallery, his maximalist works challenge Australian identity, consumer culture, and sexual politics through meticulous craftsmanship and bold imagery.
Kirstie Rea’s In the Company of Nature at Melbourne Art Fair 2025 explores the Australian landscape through kiln-formed glass sculptures. Her artworks capture nature’s fluidity and subtle beauty, inviting reflection on humanity’s connection with the environment through delicate forms and textures.
Vermilion Art, Sydney's Chinese contemporary art pioneer, showcased Chen Wenling's satirical sculptures and Gao Ping's fusion of Eastern/Western styles at Melbourne Art Fair 2025.
Neon Parc's Melbourne Art Fair 2025 stand featured Damiano Bertoli, Diena Georgetti, and Janet Burchill/Jennifer McCamley, showcasing their engagement with Modernism, abstraction, and the concept of time.
Australian artist Hannah Gartside’s exhibition Bunnies in Love, Lust & Longing at MAF 2025 transforms vintage leather gloves into sculptures exploring intimacy, desire, and vulnerability. Her textile practice thoughtfully invites reflection on identity, memory, and repurposed materials.