An ArtsHub opinion piece ignites a vital debate, arguing that Australia's national cultural policy should champion artistic freedom above the potentially restrictive goal of 'social cohesion'. This challenges educators and students to consider the delicat
When a museum alters the historical context of an artwork, it sparks a debate about curatorial responsibility and the politics of memory. This incident at the Smithsonian challenges educators to discuss the power of institutions in shaping public narrativ
How a kid from Orange who won firt prize with a shot of a duck in a pond, became one of Australia's most exacting photographers, and how a guitar hero from his teens pulled him full circle
40 years performing on and off the road Mark 'Johnny Diesel' Lizotte is a powerhouse to be reckoned with. Mark plays his eponymous Maton guitar with the same intensity as his singing; a cross between a clavichord, a harpsichord, and a D9 tractor coming down the road at you.
The city, the song goes, is always going to break your heart. For Sam Fischer, the trick was who he was standing next to when it did. A rooftop in Boston, toughing out a touring life, and fifteen years of friendship that outran the industry heading to the top.
Twenty-two years in, with an eighth studio album about to land, a national children's literacy program, two hundred thousand picture books out in the wild and a giant guitar boat doing god knows what in regional Victoria, the Sydney songwriter is still doing the only thing he ever wanted to do.
A Canadian community art project demonstrates how creative reuse can be deeply intertwined with Indigenous knowledge and themes of renewal. This inspiring initiative provides a practical model for educators looking to integrate sustainability, cultural st
Why scientists are ditching powerpoints and picking up paintbrushes, and what that means for every teacher still flogging a pie chart.
MoMA's first major retrospective since 1973 challenges what we call art; in itself a dry, wispy notion often accompanied by an obligatory manifesto that may justify what can sometimes resemble ' a pile of crap on the floor' ... or a urinal.
Valparaiso University’s plan to sell masterpieces for dorms reveals a crisis in values. For students and communities relying on these galleries as cultural and teaching resources, the move is more than a transaction; it’s a betrayal of trust and a narrowing of educational vision.
Everyone around you is doing the same quiet choreography; a conveyor belt of pause, consider, move on. Art in a white cube can justify higher prices than the same art on a cafe wall, but if the buyers who are comfortable in the white cube are diminishing, should the space evolve?
An on-the-couch interview with Jackson Dean; Maryland's gravelly-voiced newcomer with a good head on his shoulders and a lot to say that's worth listening to.
Thoughts on how Australian art prizes function as economic systems examining what artists pay, what institutions gain, and whether prizes truly support working artists or primarily serve institutional prestige.
A major exhibition opening November 8 at AGNSW brings together culturally diverse women artists in a powerful statement of resilience and resistance.
The Affordable Art Fair is a glorious art bazaar that's making art accessible to everyone. The fair is also a haven for living artists and a direct rebellion against soulless, AI-generated art, creating a vital on-ramp for new collectors.
Step into the Lyon Housemuseum for a unique exhibition featuring Christopher Langton's bold sculptures and Ry David Bradley's hybrid paintings. Explore how these Australian artists challenge perceptions of reality and art, all within a visionary home turned public gallery.
