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Art... in-person
The Affordable Art Fair is a glorious art bazaar that's making art accessible to everyone. The fair is also a haven for living artists and a direct rebellion against soulless, AI-generated art, creating a vital on-ramp for new collectors.
Blow & Epoch: A Dialogue in Art at the Lyon Housemuseum
Step into the Lyon Housemuseum for a unique exhibition featuring Christopher Langton's bold sculptures and Ry David Bradley's hybrid paintings. Explore how these Australian artists challenge perceptions of reality and art, all within a visionary home turned public gallery.
Negotiating This World: Contemporary Australian Art: 2012 REDUX
"Negotiating This World," curated by Jane Devery at NGV (2012), surveyed contemporary Australian art through 100 works by 40 artists. The exhibition explored globalization, identity, and technology, emphasizing Indigenous perspectives and Australia's position in the Asia-Pacific region.
When Flesh Meets Fair
Oigåll Projects transformed the 2025 Melbourne Art Fair’s VIP Lounge into a peach-toned, inflatable wonder. Blending art, design, and architecture, the space redefines what a gallery can be; immersive, sustainable, and playfully profound.
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Josh Pyke at 22
Twenty-two years in, with an eighth studio album about to land, a national children's literacy program, two hundred thousand picture books out in the wild and a giant guitar boat doing god knows what in regional Victoria, the Sydney songwriter is still doing the only thing he ever wanted to do.
Indigenous Student Leads Community Art Project Focused on Upcycling and Renewal
A Canadian community art project demonstrates how creative reuse can be deeply intertwined with Indigenous knowledge and themes of renewal. This inspiring initiative provides a practical model for educators looking to integrate sustainability, cultural st
Bar charts won't save the reef baby
Why scientists are ditching powerpoints and picking up paintbrushes, and what that means for every teacher still flogging a pie chart.
Duchamp's Readymades Return
MoMA's first major retrospective since 1973 challenges what we call art; in itself a dry, wispy notion often accompanied by an obligatory manifesto that may justify what can sometimes resemble ' a pile of crap on the floor' ... or a urinal.