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Australia’s Political Parties and the Arts: Genuine Commitment or Electioneering?
As Australia’s 2025 election nears, Labor’s arts commitment appears sincere but limited, the Coalition’s engagement minimal, and the Greens propose deep reforms.
Pippin Drysdale’s Quiet Monument to Place
Sabbia Gallery showcased Pippin Drysdale’s Remembered Landscapes at Melbourne Art Fair 2025, presenting porcelain works that captured the spirit, memory, and beauty of Australia’s landscapes through masterful form and colour.
Rock and roll on show at Fox Jenson Galleries
At Melbourne Art Fair 2025, Fox Jensen Galleries showcased bold explorations in abstraction by Jan Albers, Koen Delaere, Elisabeth Vary, and Aida Tomescu, blending sculpture and painting into a dynamic, tactile dialogue on colour, form, and emotional intensity.
Joan Mitchell: A Landscape of Feeling
Anticipating Tate Modern's 2026 Joan Mitchell retrospective: Explore the Abstract Expressionist's unique path. Her vibrant canvases convey fierce energy, raw emotion, and connection to nature, born from lived experience. A monumental legacy awaits rediscovery.
Algorithms, Aesthetics, and Authorship
Generative AI is transforming contemporary art, with pioneers like Mario Klingemann and Refik Anadol using algorithms to create immersive, thought-provoking works. These practices challenge traditional ideas of authorship, creativity, and the role of technology in art.
Christine Sun Kim's Whitney Museum Exhibition
Christine Sun Kim's mid-career survey, "All Day All Night," at the Whitney Museum of American Art, offers an in-depth exploration of the intersections of sound, language, and communication.
Traversing Terrains: Arc One's Thoughtful Presence at MAF25
Arc One Gallery presented Janet Laurence's ecological works, Marina Rolfe's perceptual paintings, and John Young's historical explorations. This curation showcased Arc One's dedication to rich Australian contemporary art, reflecting on environment, perception, and cultural narratives.
Marfa, Texas: An Unexpected Art School
In Marfa, Texas, art transcends traditional spaces. This essay explores its unexpected role as an art school, where Donald Judd's legacy and the stark landscape teach context, accessibility, engagement, and mystery.
Paul Yore: Confronting taboos through queer maximalism
Paul Yore creates provocative textile art that combines traditional craft techniques with contemporary cultural critique. Represented by STATION gallery, his maximalist works challenge Australian identity, consumer culture, and sexual politics through meticulous craftsmanship and bold imagery.
Clever Planet Goes to NCMA
We're excited about our upcoming visit to NCMA in April 2025, where we'll interview Jared Ledesma, the NCMA's Curator of 20th-Century Art and Contemporary Art, about the exhibition "Grace Hartigan: The Gift of Attention."
Kirstie Rea: In the Company of Nature.
Kirstie Rea’s In the Company of Nature at Melbourne Art Fair 2025 explores the Australian landscape through kiln-formed glass sculptures. Her artworks capture nature’s fluidity and subtle beauty, inviting reflection on humanity’s connection with the environment through delicate forms and textures.
Vermilion Art: A Focus on Contemporary Chinese Voices
Vermilion Art, Sydney's Chinese contemporary art pioneer, showcased Chen Wenling's satirical sculptures and Gao Ping's fusion of Eastern/Western styles at Melbourne Art Fair 2025.
Neon Parc at Melbourne Art Fair 2025: A Dialogue with Modernity
Neon Parc's Melbourne Art Fair 2025 stand featured Damiano Bertoli, Diena Georgetti, and Janet Burchill/Jennifer McCamley, showcasing their engagement with Modernism, abstraction, and the concept of time.
Hannah Gartside: Bunnies in Love, Lust, and Longing
Australian artist Hannah Gartside’s exhibition Bunnies in Love, Lust & Longing at MAF 2025 transforms vintage leather gloves into sculptures exploring intimacy, desire, and vulnerability. Her textile practice thoughtfully invites reflection on identity, memory, and repurposed materials.
Hugo Michell Gallery MAF 2025
At the 2025 Melbourne Art Fair, Hugo Michell Gallery, under Jenna Pippett's direction, showcased artists Sam Gold and Zaachariaha Fielding. Gold, a queer non-binary artist, uses ceramics to explore the body and identity. Fielding, of Mimili, blends Aboriginal traditions with contemporary themes.