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The Gwangju Biennale's Taiwan Pavilion dispute has exposed tensions between artistic freedom, institutional responsibility, and international diplomacy, raising concerns over how cultural institutions navigate political pressure.
Melbourne photographer Guy Little, 41 years in, shoots Hasselblad and 5x4 film and still does his own darkroom work. From AFP forensic photographer to copyright-law campaigner to minimalist award winner, his meditative series Photography's Shadow turns childhood trauma into quiet, unhurried art.
Margaret Preston’s first major retrospective in 20 years traces the influences, ambitions and complexities behind one of Australia’s most recognisable modernist artists.
After Cara was scraped three times in ten days, the artist-led platform has become an uncomfortable test of what "opting-out" of AI training actually means online.