Lebanese artist and composer, Tarek Atoui, transforms Tate Modern's Turbine Hall into an experimental orchestra of sculptural instruments, vibrating stones, and shifting sounds, inviting visitors to experience music through the entire body.
As 'Near at Hand' brings 11 contemporary artists to the Art Gallery of NSW, its ideas are also teaching professional learning, offering new ways to approach drawing in the classroom ahead of NSW syllabus changes in 2027
In Venice, 'Tide of Returns' follows the remarkable journey of Indigenous Australian shell dolls to consider what repatriation means after cultural objects finally come home.
MoMA's 'Architects of Liberation' traces how modern architecture became entwined with independence, national identity, and political ambition across West Africa.
Unveiled in London's Trafalgar Square, this vibrant bronze sculpture of a Black 'everywoman' has ignited fierce global debates on body image and representation.
Richard Lewer's 'Steve' begins a national tour, transforming one family's experience of dementia into a moving study of memory, love, and the ordinary moments that make up a life.
Margaret Preston’s first major retrospective in 20 years traces the influences, ambitions and complexities behind one of Australia’s most recognisable modernist artists.
For the first time since John Constable painted "The Hay Wain" in 1821, the masterpiece has finally returned to Suffolk. Surrounded by the landscape that inspired it, the painting offers a lesson in how places change, and what are can preserve.
